I’m back – after a break of many moons! And there is so much kpop to talk about! I’ll have to restrain myself to albums and singles that I have actually bought (which is still like… 30 things! OMG… so many posts to make…)
I’ll kick it off with my strong contender for song of the year…
Anytime Infinite has a comeback makes me a happy fangirl, so the very moment that they announced a repackage for ‘Season 2’ I had a countdown clock in place. Not that we had to wait long at all, as this promotion followed quickly on the heels of ‘Last Romeo’. ‘Back’ is certainly my favourite song of the year so far – and that’s fending off some very stiff competition in what has been a very good year of songs and concepts from all the groups that I follow and collect.
I might be a tad biased (Infinite being my second favourite group and home to my ultimate bias Sunggyu) but this is a solid song full of the familiar Infinite sound and excellent vocals. It starts with a slow buildup, steadily moving towards the drop where the full orchestral sound kicks in and it gallops along from there. Best of all, there’s some great line distribution in this song – everyone has something – and for a 7 member group that’s pretty good! This has had heavy rotation on my i-Pod and playlists and the more I listen to it, the more that I love it.
MV Moments (Performance Version)
The initial release of the MV was the story version, which features Infinite showing up to a gang fight to rescue Sunggyu’s sister armed with questionable items (an umbrella for Sungjong… really???) and receiving a pretty thorough beat down before they rally for a final showdown. It’s fairly stylised violence, but I still find it pretty hard to watch – even though I know it’s not real. I don’t know… it just makes me uncomfortable. I also have a hard time watching similar themed MVs and tend to minimise the screen / bail entirely as soon as blood appears (see: BAP ‘One Shot’, VIXX ‘Voodo Doll’, and the MV that cannot be watched ever again ever: MYNAME ‘Baby I’m Sorry’). Death and violence just aren’t my jam. So although I absolutely ADORED the song and watched every single live performance, I only watched the actual MV about 3 or 4 times. I can only watch Sunggyu being beaten in the head with a baseball bat so many times…
So it was a great relief when Woolim released the ‘Performance Version’ aka the version that focuses on the dance. Infinite has impeccable choreography as always – but it can be hard to focus on it for live stages and even in MV versions because of the camera cuts. It’s a real feat to be able to pull off a 7 member dance that has knife-like precision and is also interesting to watch.
I really love the mirrored movements in the opening here – it’s clever as well as visually striking! Of course I’ve decided to focus on my ultimate bias here (who is looking FINE)
As the song picks up the pace, the dance also pulls the members into formation. I like how they all circle each other slightly too.
Body rolls… always a fave! This one is subtle (if you can call a body roll subtle) but I love it! The second one is more obvious, but I like the focus on L here 😀
Infinite are known for their precision and this dance is no exception. It’s an odd mixture of fast and slow, but the high energy points are really great!
Normally part of the rap-line, Dongwoo has a vocal part and he nails it! (My squee was heard from miles away when we first listened to this)
Not only do I love this dance move, but it’s a whole line for Sungyeol!
As we reach the climax of the song, the line formation here really looks great!
And it ends perfectly as well!
One thing that I have LOVED about Infinite’s albums this year for both Korea and Japan is how consistent they have been with their branding and packaging carrying across several years of albums and mini-albums. ‘Season 2’ was an exact mirror of their first album, with the same style slip cover and format. And now ‘Be Back’, the repackage, is also a mirror of the first album’s repackage ‘Paradise’ with the same envelope style casing! It’s a small detail, but the print nerd in me loves it!
My version of the album also came with 2 x posters. I have to laugh, because that makes 5 posters for this round of promotions and I can’t even choose which one to display – I may just have to rotate them in and out as the mood grabs me. There can never be enough Infinite on my walls!
The outer packaging is printed on silver card with an emboss and spot UV highlight, die cut and folded into an envelope. It’s a clever way to make everything look like a present that you can unwrap. The image on the front is also version A of the poster (possibly my fave version). This is also a pretty big album! It takes up some serious shelf real estate when on display.
Once unfolded, you have the CD mounted and recessed into black foam-core (I really love that they have the logo on EVERYTHING as well – sidenote, Infinite do an iteration of their logo for every album and I quite like this one – it’s a bit more feminine which works well with the ongoing ‘Last Romeo’ theme). Instead of a photocard, you get a giant postcard (random member) printed in colour on the same silver card as the outer packaging. Yay Woohyun! And in this first press edition, 2 x photobooks.
The Special Edition photobook is full of candid behind-the-scenes photos from the ‘Back’ MV shoot. Lots of great photos and the paper is a good weight (not cheap feeling).
The standard photobook is also great – the paper is a pearlised finish, so it gives the photos a slightly dreamy quality. Fans of the group will appreciate the many pages in both books – the repackage is significantly different enough from the original album to justify having both in your collection.
The repackage album has the same tracks as ‘Season 2’ but with the extra songs ‘Back’ and ‘Diamond’. Because it’s such a pretty looking album, this is my current facing outward on display showpiece for Infinite. I was super happy with this purchase and with the whole promotion cycle.
‘I want you back back back back back’
And as a bonus – the amazing dance practice video! The choreography for this dance was, as I mentioned, thoroughly ON POINT. Though Sunggyu obviously did not get the memo about wearing tight pants…